Rosemary Mayer (1943-2014) was a prolific artist involved in the New York art scene beginning in the late 1960s. Most well-known for her large-scale sculptures using fabric as the primary material, she also created works on paper, artist books, and outdoor installations, exploring themes of temporality, history, and biography. She was also a writer, art critic, and translator. She was initially involved in conceptual art and writing, collaborating with her sister, poet Bernadette Mayer, and ex-husband, Vito Acconci, on the journal 0 TO 9. A pioneer of the feminist art movement, she was a founding member of A.I.R. Gallery, the first cooperative gallery for women in the U.S. and had one of the earliest shows there. During the 1970s and 1980s, her work was also shown at many New York alternative art spaces, including The Clocktower, Sculpture Center, and Franklin Furnace, and in university galleries throughout the country. In 1982, her translation of the diary of Mannerist artist Jacopo da Pontormo was published along with a catalogue of her work.

In 2016, Southfirst Gallery in Brooklyn exhibited a selection of Mayer’s work from the late 1960s and early 1970s. The first major exhibit of her work in over thirty years, it was reviewed in the New York Times, Art in America, The New Yorker, and artforum.com. A version of this show was exhibited at the Lamar Dodd School of Art at the University of Georgia in 2017. Her work has also been included in several group exhibitions including at Nichelle Beauchene Gallery, Murray Guy Gallery, and Bridget Donahue. In 2017, the Museum of Modern Art acquired some of Mayer’s drawings and artist books from the 1970s.